Parina Ghomi; Farzaneh Farahzad
Abstract
The present article draws on Ghomi and Farahzad’s (2020) model of renarration in audiovisual translation to explore different types of reframings effected in the interlingual dubbing of animated films broadcast on Islamic Republic of Iran Broadcasting. Given that audiovisual narratives are of multimodal ...
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The present article draws on Ghomi and Farahzad’s (2020) model of renarration in audiovisual translation to explore different types of reframings effected in the interlingual dubbing of animated films broadcast on Islamic Republic of Iran Broadcasting. Given that audiovisual narratives are of multimodal nature and involve nonverbal sites as well as verbal sites, they provide audiovisual translators and audiovisual translation institutes with more opportunities to reframe the target narrative. Therefore, Ghomi and Farahzad’s (2020) Multimodal Narrative Analysis is used to compare and contrast original and dubbed animations at the micro-level of verbal and nonverbal sites. The results of the study revealed 15 types of reframings that participated in the construction of reality in the target animations. They were categorized under 3 groups of reframing through selective appropriation, reframing through labelling and reframing through repositioning characters. Temporal and spatial reframing was found to be underlying all types of reframing. The study concludes that Islamic Republic of Iran Broadcasting has an active role in constructing reality in the target language and uses translation as a tool for accentuating or undermining certain narratives in the target animated films.
Salimeh Salamati; Parina Ghomi
Abstract
Any translated content, especially audiovisual translation, is often manipulated by the dominant ideology of the target society. The present study adopts a descriptive quantitative method to examine the ideological aspects of these manipulations in the dubbed movies broadcasted from the Islamic Republic ...
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Any translated content, especially audiovisual translation, is often manipulated by the dominant ideology of the target society. The present study adopts a descriptive quantitative method to examine the ideological aspects of these manipulations in the dubbed movies broadcasted from the Islamic Republic of Iran Broadcasting (IRIB) in three decades after the Islamic Revolution in Iran. In this study, the text-internal and text-external manipulations were examined in nine historical and adventure movies in the periods of 1997-2005, 2005-2013, and 2013-2018. It was also attempted to identify the reasons behind these manipulations in terms of the governments’ policies and dominant values. Since audiovisual translation involves nonverbal elements such as image, sound, and music distinguishing it from written texts, the researchers attempted to adapt Dukāte’s model of manipulation according to the specific features of audiovisual translation. To this end, each manipulation classification was divided into two subcategories of verbally-induced and nonverbally-induced manipulations. After a comprehensive analysis of the movies along with their dubbed versions, five manipulation strategies, including addition, deletion, substitution, attenuation, and accentuation were identified. The results showed that in the period of 2005-2013, the volume of the manipulations in the conservative government outweighs that of the reformist government. The dominant strategy used in the conservative government was substitution and deletion while it was attenuation in the reformist government. Furthermore, nonverbally-induced manipulations were significantly more than verbally-induced ones in the dubbed movies.
